Sunday, December 13, 2009

A Totally Stupid Contest



The above is a visual pun.

The first person to correctly guess said pun will receive a free item of mine via cafe press - that which is available is not limited to what can presently be found at my store but includes any and all images at coreyshead.com.

Hotcha.

(clue = a childhood pastime)

people who are me or who were around when I was making this (I'm looking at you, Mel) are prohibited from playing.

Wednesday, December 2, 2009

Hidden Valet



Nostalgic Heroes "Tetsujin 26"

I wonder - was he riding that bike or does he just maintain it?

If the former, then how does he get around the deck support? Was he assembled down there?

Mebbe there's another egress ...

Sunday, November 29, 2009

Peek-A-Boo



Bandai "Hanejiro"

This was a very simple set-up, as I'm sure you can imagine: A basic head-on with lots off diffuse light on my subject, then a simple two-part layer of the wall and a slight mask of the window to insert the toy.

So simple I almost felt like I was cheating.

For a final effect, I cut out a large section of the top window, which I applied to Hanejiro via a clipping mask, then brought said layer's opacity down until the toy looked like it was behind the window.

A little bit of stenciling to include my sig and: voila.

I may like this shot best of the three I did this weekend even thought it was so danged easy: the unexpected, goofy charm of Hanejiro's face up in the window ... it perfectly embodies my attitude and aim when making these ridiculous pics ...

Bleach


Medicom RAH "Dada"

I've had this shot (hell, all this week's outside shots) for a long time and have "published" a few of them before, sans toys of course.

This one has always kind of freaked me out. That nailed shut door with the tattered screen - and what's with that bottle of bleach?

All it needed was a Dada to complete the creepiness.

Getting him behind the screen was a bit of a job. The screen itself was no problem but getting the right angle was a major hassle.

I shot three variations of the pose and angle before getting it right, having to mask and insert the shots each time before determining that it was back to the ol' drawing board once again.

The final pic features four composite shots of Dada at different light levels, plus I had to break his left foot off mid shin (photographically speaking of course) to make it look "right." Another way of saying I *still* didn't have the angle right on this last shot but decided to make it fit, anyway.

Lots of creative photoshop shadowing, too, as usual, as well as a warming filter to bring Dada into the alley more completely.

The lighting on that protruding toe was a pain in the butt; a final harassment that I must've tweaked and re-tweaked a dozen or more times.

Thanks to my daughter's sharp eye for letting me know when things were flat or otherwise off. Without her the effect would not be as good.

Saturday, November 28, 2009

End of the Tunnel



B-Club "Zarab Seijin"

The challenge here was to make the toy seem as if it was in the tunnel without completely obliterating its visage.

Determined to replicate the situation to the best of my capacity, I opened up both ends of an oblong cardboard box, slipped the Zarab toy into the far end of it and began messing with lighting options.

This process was made doubly tricky by the fact that the toy glows in the dark!

In between shots I would let the toy's luminescence "cool" but some of it slipped through and I think this may be what accounts for the final shot making the figure look somewhat transparent (it isn't).

A composite of three shots of the toy at different light levels was used to complete the effect, along with some faux shadows to place the toy in the scene. (can you find my signature - I think it's fairly obvious, if somewhat illegible).

I'm fairly happy with the shot (even if the composition sucks) but admit some chagrin at the highlights on the left *front* of the toy.

How did those get there?

Wednesday, November 25, 2009

#15: Citrene and Quartz

Monday, November 23, 2009

Somehow ... back at it.


B-Club "Daigoro"

I'm not quite sure how this happened. Something about a request for me to come up with another calendar of toy pics and then my realizing, for the first time since I put one together, that I didn't have 12 new pictures.

And then I started paging through my old work and I saw images I'd forgotten about, images I wanted to redo, and thought about images I still wanted to make, even if there is no viable market for them. Even if doing them means I'm putting time and effort into something that only three or four people care about outside of myself.

The next thing you know I'm paging through old backgrounds and snapping pictures of a toy, my mind awhirl with projects, themes, and other forms of sheer pointlessness.

It's this kind of stuff that "holds me back" and ensures that I'll never "make it."

But you know what? I don't really care anymore. They're just too fun to make.

(my daughter says he needs a package)

Saturday, November 21, 2009

Whip Out Those Pocketbooks



It's that time again: the fourth annual Corey's Head Toy Calendar is now available.

17"x11" this full-color guide to the seasons features "artwork" by yours truly and is printed on actual paper using some kind of ink! What an amazing world!

Due to a lack of time, this year's calendar features one new picture and eleven other, gloriously ancient (yet previously unpublished) images of toys I paid waaaay too much for back when I had a different life.

Come one, come all and snatch yerself up a calendar before Cafepress decides I'm breaking some kind of copyright law or another and yanks my product.

All proceeds (1 miserable buck per calendar) go to yours truly.

Hotcha!

Saturday, November 14, 2009

The Chairman




You've seen this before - or variations of it, anyway.

This is one of my friends, lovingly referred to by a small knot of Japanese toy fiends as "The Chairman."

I'm not quite sure how the appellation began.

I know he long used communist propaganda symbology in reference to his ebay activity (I won't even attempt to explain that), has Chinese (Maoist?) heritage, and his bullish enthusiasm for the online "sport" of bidding on, boasting about, and enabling others in the hobby of Japanese toys can border on the dogmatic.

In any case, within our Japanese toy community, the man is legendary.

So when a recent group event on the East Coast within said community was announced that he was not only trumpeting but intended to be a part of, it seemed only fitting to lampoon him in print - and where better than on a t-shirt?

Fellow cohort, Sir Xtopher von Vegas, suggested the idea during a recent alcohol-fueled visit to my shabby burg. After the third pitcher of overpriced beer, it started to sound like a good idea.

Two days later, after the hangover wore off, I set to work adapting an old design of "the Chairman" to this new purpose, then promptly posted variations of it to my Cafe Press account and alerted the appropriate agent.

But would anyone be mad enough to actually buy the stupid thing?

Never underestimate the insanity of the Japanese toy crowd.

One poor sucker, a fellow publicly accused of Sanjeevery in the past, bit.

And what of the aforementioned Xtopher who spurred me on to this slavish bit of piss-poor designage and overly optimistic mongering?

"Crap....I waited too long. Now, if I want one in time, it's $35. I love a joke, but $35?"

Sumbitch ...

Tuesday, October 27, 2009

Hold On To Your Hat!




Nobody shouted it at me but somebody should have.

I've heard it a million times before; not when it was relevant, mind you, but rather as simple and hackneyed hyperbole intended to ready me for something often not worth the effort of the cliché.

When you get right down to it I guess I should have known, anyhow. It's not like I haven't had to do so before, I just wasn't paying attention.

The thing is, it started out as a beautiful day but the weather changed during the cruise up from Port Ludlow so that, by the time we were nearing our destination, it had gone from bright but chilly to downright surly: blackish clouds and a cruel wind that bullied its way across the surface of the water, elbowing aside any sense of adventure or fair play and taking us a bit aback.

I and my father were sailing his boat to the Port Townsend marina for a haul-out: he was having the bottom painted. My step-mother was driving up to meet us and ferry us back home.

I watched my father as he piloted the vessel with care in around the jetty, squinting with concentration as he guided us into the mouth of the protective channel, his cap down, firm and official.

Looking at it there, in the warmth of the cabin, I remembered how I've never liked hats much and, in particular, hats like his: riding high and puffy, snubbed bill, more angled than round, the front advertising something; a billboard of sorts there on his head. The back half of the hat composed of a kind of tight, plastic screen through which his weathered skull could be seen and heat can escape. We called them baseball caps when I was growing up but I've since learned that what my father wears is a trucker's cap.

My own hat is more of a baseball cap: round, close to my head, a long, protective brim, cotton. It was a Kmart special, olive green and likely intended for a perky, young woman. When I bought it, I could imagine one pulling her long, golden pony-tail out through the hole in the back. Instead, it was put to work covering my prematurely balding head as I sprayed noxious chemicals on hot bronze, my rough and filthy hands curling the stiff, board brim into a sharp crescent behind which my eyes could lurk.

As an afterthought, I affixed my favorite button back by the adjustment buckle. It was a button I'd gotten right after high school, one that struck a funny chord in me: plain, white, decorated in black with the cartoon sketch of a man looking remarkably like Sylvester Stallone next to the motto: "Hard Drugs Made Me A Better Person." Witty. I have a whole bag of buttons, pins, ribbons, and name tags I've collected over the years but this was what I chose for my patina cap.

Now, here we were, some ten or more years later: cap faded and stained, button's steel pin amber with age, the hair beneath both receding further and slowly speckling out into grey like my father's.

As we jockeyed towards the docks, the men came out for us and so, when we were in enough, we headed out on deck to toss the lines to them and set the bumpers.

The wind blew hard in our faces and crowded us the minute we were out, making my father curse and the boat buck.

I planted my feet to steady myself and felt my cap ripped from my head in one, smooth motion. The same gust took my father's, too, throwing them into the water like a prank.

For a split second I actually considered diving in after them. The water is deep just there but the marina itself is small with plenty of places nearby to which I could swim.

But then I thought better of it. Sea water in the Pacific Northwest is cold enough to kill on the hottest days, much less on a day such as this. And what would my father say, me diving in after a couple of stupid hats when there was real work to be done?

My hat was shoved across the surface of the water for about ten feet before going down, sinking like the proverbial rock, its leather strap and brass clasp sucking it down to the polluted ooze below. I watched it as it disappeared, then had to turn back to the task at hand.

After a short struggle, the boat was tied down, the haul-out itself postponed for calmer weather. My father walked to the office to nail down the details while I excused myself and, skirting the water's edge, worked my way down the sharp rocks and beneath the pier. Sure enough, there was my dad's hat, still afloat in all its buoyant glory.

Using a twisted finger of driftwood, I coaxed it ashore and gave it a gentle wring to rid it of the memory of the waves it had strained, my eyes still scanning in vain hope but no: my cap was sleeping with the fishes.

Back at the office, I reunited my father with his bedraggled hat and told the story to my waiting step-mother.

"I've had that hat for over ten years," I said, looking back across the wind-blown boat yard to the surface of the marina, roiling with whitecaps.

"Oh, that's too bad," she said, wondering, no doubt, with her yacht and her RV and her cars and her two homes, what a person would want with a ten year old cap in the first place, especially after I added: "No matter, I have another just like it at home."

And I do: I bought two on that trip to Kmart, so taken was I with the color, fit, price, and expectation that, exposed to the chemical rain of my patina job, they'd each last a short time. In fact, they both proved far tougher. And so I and my step mother looked into each other's eyes and wondered just what I was on about.

She never found out but I did the minute I caught sight of my own eyes reflected in the moist query of her gaze.

The button.